Jolly Rogers is a collection of Peter Wächtler’s short texts written in preparation for his solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), combined with an extensive collection of the artist’s drawings and prints from recent years. The texts operate like vignettes to a larger story and the images as unreliable illustrations to the narrative.
Irma BlankEigenschriften, 1968–1973
Linguistic and visual representation intersect in Irma Blank’s pastel-colored, script-like “Eigenschriften” (Self-Writings, 1968–73), a series of drawings considered the starting point of the artist’s mature work. The cycle stems from Blank’s experience moving to Italy in the 1960s from Germany, where she was born in 1934. The slender lines of these works are reminiscent of writing, but one that is incomprehensible. Without any specific meaning, the work is pure sensation transmitted from the hand to the surface of the page, from the body to the work.
Kate NewbyI can't nail the days down
The publication I can’t nail the days down documents Newby’s eponymous exhibition at Kunsthalle Wien and includes a photo essay by the artist as well as detailing previous projects. Working with the architecture of Kunsthalle Wien’s glass pavilion at the Karlsplatz in Vienna, Newby’s exhibition ranged beyond the physical boundaries assigned to it, and subtly challenged where and how sculpture happens. Christina Barton, Juliane Bischoff, Chris Kraus, and Nicolaus Schafhausen contribute texts to the book that explore the influences, tools, ethical aspects, and poetics of Newby’s artworks, as well as the personal relationships the artist folds into her projects.
Tyler CoburnRichard Roe
Richard Roe is the fictional memoir of a legal person. The name is one of the oldest used in English law when the real name of someone is withheld, or when a corpse can’t be identified. Richard Roe is a known unknown, a one-size-fits-all, a potentially everyone and actually no one. Divided into seven fragmentary sections, this memoir gives voice to the legal fictions that creep around the margins of selfhood—and that increasingly dictate the terms of economic and political process.
Boy Vereecken (Ed.)Herewith the Clues
Herewith the Clues continues Boy Vereecken’s research into mass-market literary culture, which began with Signature Strengths (2016). The volume includes two text contributions: a contemporary take on the whodunit novel by Shumon Basar, followed by a tour of the history of the Crime Dossiers genreby Laura Herman. The book is illustrated with a photo series from Antoine Begon, who has unpacked and photographed the pieces of evidence that comprise Crime Dossiers such as File on Rufus Ray and Murder Off Miami.
Prototypes by Doireann O’Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing. O’Malley’s work references scientific and medical investigations into the human psyche that address wider philosophical concerns relating to biology, gender embodiment, sexuality, utopianism, and biomolecular advancement in human evolution.
Iman MersalHow to Mend
Motherhood and Its Ghosts
Iman Mersal intricately weaves a new narrative of motherhood, moving between interior and exterior scapes, diaries, readings, and photographic representations of motherhood to question old and current representations of motherhood and the related space of unconditional love, guilt, personal goals, and traditional expectations. What is hidden in narratives of motherhood in fictional and nonfictional texts as well as in photographs?
Haytham El-WardanyHow to disappear
If this book had been titled something like “How to listen” or “How to be all ears,” the title would have been appropriate to the content and directly explained the book’s focus. Why, then, does the title prefer to obscure its subject rather than reveal it, running counter to a title’s traditional function? The reason is that this book is grounded in the experience of the unseen listener. Speakers are seen when they speak, whereas listeners recede into the background of the scene dominated by speakers.
Natascha Sadr HaghighianHow to spell the fight
How to spell the fight follows a thread that has been running through our fingers from centuries past till the present day, morphing from the tangible string figures that join our hands in childhood to the more elusive computational algorithms that engage our fingers today. Following this line of inquiry through various twists and turns, a conversation about collective agency emerges with the aim of rethinking current paradigms of cognition, education, and power.
Rainer GanahlManhattan Marxism
The artist Rainer Ganahl has been creatively adapting the writings of Karl Marx to his own work since the 1990s. The German philosopher’s ideas have galvanized projects such as Ganahl’s irreverent fashion show Commes des Marxists, a series of obscene food sculptures inspired by the “credit crunch” of 2008, and a Karl Marx fire extinguisher. There has never been a more fitting time for the release of this book, which appears on the 10th anniversary of the global financial crisis, and 200 years after Marx’s birth.
Torbjørn RødlandFifth Honeymoon
This publication accompanies Torbjørn Rødland’s exhibition “Fifth Honeymoon,” produced as a collaboration between Bergen Kunsthall; Bonniers Konsthall, Stockholm; and Helsinki’s Museum of Contemporary Art, Kiasma, and featuring thirty new photographs and a new video work, his first in eleven years.
Guy MeesThe Weather is Quiet, Cool, and Soft
Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications. A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art.
Georgia SagriGEORGIA SAGRI GEORGIA SAGRI and I
As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. It collects both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against essays by Sotirios Bahtsetzis, Daniel Horn, Ruba Katrib, Christina Lehnert, Diego Singh and Stephen Squibb, an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.
Vincent MeessenThe Other Country / L'autre pays
This book is the fourth volume in Vincent Meessen’s publication series "Prospectus" and published following the artist’s solo exhibitions at WIELS and Centre Pompidou. The book is structured around the installations that made up these shows, and are placed in parallel with untold histories of the Situationist International, modernity’s last international avant-garde. Alongside newly commissioned essays, previously unpublished texts and reprints by Guy Debord, Lungela Diangani, and Omar Blondin Diop explore the Situationist International’s influence in sub-Saharan Africa.
Magali ReusHot Cottons
As mist, description
This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” (2017–18) at Bergen Kunsthall and “As mist, description,” (2018) at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus’s work, this catalogue provides an in-depth exploration of the artist’s recent sculptural practice.
Uriel OrlowTheatrum Botanicum
This publication emerges from Uriel Orlow’s Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants.
Alex Cecchetti Tamam Shud
An Artist’s Novel
The Tamam Shud narrative emerged through a series of episodic performances and an exhibition by Alex Cecchetti at the Ujazdowski Castle Centre for Contemporary Art, Warsaw. For two years the writing process and the artistic process were interwoven, feeding each other as they evolved. The art project and the artist’s novel are linked together as much as the life of the victim is connected to the piece of paper found in his pocket.
Josephine Prydelapses in Thinking By the person i Am
In the body of work documented here, Pryde combines a series of color photographs of hands touching objects with a scale-model freight train and track, replete with miniaturized graffiti, that took visitors in a short ride through the exhibition. Through photography and sculpture, Pryde pays close attention to the nature of image making and the conditions display, subtly reworking codes and conventions to alter our cultural perception and understanding of each.
Marked by her cosmopolitan origins, between Europe and Asia, and by an attention to the sonorous dimension of the world, the practice of Su-Mei Tse involves issues such as time, memory, musicality, and language. Like her exhibition “Nested,” this publication was conceived to be like a notebook: a form that brings together impressions that have occurred in everyday life—be they visual, sound, or memory related—and blends them in a subjective and intuitive way, allowing a whole network of echoes and correspondences to be deployed.
Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.
Cécile B. Evans(1770–25k)
With (1770–25k) Cécile B. Evans presents materials from three recent video works included in her 2016 solo exhibition “Timeline for a Copy without Origins” at the Bielefelder Kunstverein. The amalgamations of text and image appear in the form of audiovisual transcripts, much of the material scavenged verbatim from popular culture and the user-generated web content of platforms like YouTube, Craigslist, and Reddit.
Wolfgang Tillmans, Brigitte Oetker (Eds.)What Is Different?
What Is Different? is the title of this year’s edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans. Since the early 2000s Tillmans has been working on truth study centre, a cycle of works concerned with absolute claims of truth in social and political contexts. Circling around contemporary issues of newly resurfaced right-wing populism, the phenomenon of fake news, and psychological findings such as the backfire effect, Tillmans, rather than analyzing the status quo, focuses on what has changed in the past ten, twenty, thirty, forty years. Why are societal consensus and institutions now under attack?
Oraib ToukanSundry Modernism
Materials for a Study of Palestinian Modernism
With Sundry Modernism, Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho. Using her photographs as conversation prompts with various residents, historians, and architects, Toukan places the anecdotes collected thereby into political and historical context, weaving together narrative and critique.
How to imitate the sound of the shore using two hands and a carpet
SSS: How to imitate the sound of the shore using two hands and a carpet is, at first glance, exactly what it claims to be: an in-depth manual for staging a private (or public) performance, in which one uses both hands and a carpet to imitate the sounds of water making contact with land. Istanbul-based artist Cevdet Erek’s book includes diagrams and photographs, which illustrate possible methods for producing this effect, while also addressing theoretical and methodological issues related to the representation of nature.
Studio for Propositional Cinemain relation to a Spectator:
A compendium of essays, scripts, poems, and proposals, in relation to a Spectator: was compiled by Studio for Propositional Cinema—an anonymous artist collective founded in 2013—for their eponymous exhibition at the Kestner Gesellschaft in Hannover. The book investigates notions of the script, staging, and the conditions of the exhibition itself.
Michael TedjaThe Holarium: Negeren Series 818:32
Unlike a number of artists who have begun to use negation, detachment, and inaccessibility as tools to reflect upon and problematize the narratives mapped onto them as members of diasporic or immigrant communities, Michael Tedja plays the other extreme. His work seems to exceed and absorb the institutions that attempt to codify him one way or another. Whereas his peers may seek to transcend identity as such, Tedja’s practice is hypersubjective and all-encompassing.
Maria Thereza AlvesThe Long Road to Xico / El largo camino a Xico, 1991–2015
The Long Road to Xico, 1991–2015 is the first monograph of Brazilian artist Maria Thereza Alves, and the outcome of her solo show at the Centro Andaluz de Arte Contemporáneo in Seville in 2015. It gathers more than twenty projects realized between 1991 and 2015, including rarely viewed early works that help us see her most recent production from a new perspective. This publication also collects a selection of Alves’s writings and contextualizes her work in the political and cultural debates from the 1980s, when she became an activist and an early participant in discourses around “postcolonialism” and “ecology.”
Uchroniaduplicate > do not create, infiltrate > do not exhibit, exceed > do not belong, appear > do not claim, delegate > do not restrict
Uchronia is a project initiated by the artists Annie Vigier and Franck Apertet (les gens d’Uterpan) in 2014, which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city. In response to the increasing transformation of public spaces into functional areas toward which individuals are guided to fulfill a given activity, the two artists call upon citizens to become uchronists, to infiltrate public life with physical modules coming from daily behaviors, synchronized and adjusted according to context.
Martin BeckAn Organized System of Instructions
Martin Beck’s exhibition “Program” at the Carpenter Center for the Visual Arts comprised a sequence of interventions, installations, events, and displays that drew on the exhibition histories and academic pursuits of the famed 1963 Le Corbusier building at Harvard University. The sequence of explorative strategies—each node of which Beck considered an “episode”—lent particular attention to the founding aspirations of the Carpenter Center, which sought to cultivate its position as simultaneously an iconic modernist building, school, and exhibition venue.
Tom Humphreys—Plates is an artist’s book documenting works produced between 2009 and 2016 using industrially manufactured plates as a support medium. This extensive volume loosely catalogues four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs.
Cecilia VicuñaRead Thread
The Story of the Red Thread
From the 1970s to the present, Cecilia Vicuña’s work has engaged with rituals from Aboriginal Australia, South Africa, Paleolithic Europe, and pre-Columbian America involving red-colored thread. The Chilean artist’s performances, site-specific installations, paintings, and drawings relate to the symbolic function of textile and language as well as the ritual dimension of menstrual blood in the construction of solidarity through femininity and maternity, to support and continue life. Appearing on the occasion of Vicuña’s installation in Athens for documenta 14, Read Thread tells the story of the sanguine thread in Vicuña’s work.
Shirana ShahbaziFirst Things First
The catalogue First Things First comprises a selection of images from a number of Shirana Shahbazi’s photographic series created over the past ten years. The presentation of some fifty works is not necessarily categorically or linearly organized; rather, it appears completely free of hierarchy, with photographic styles, subjects, and techniques displayed on equal footing. First Things First emphasizes a juxtapositional approach, a dynamic and free arrangement of various subjects and styles.
Merlin CarpenterMIDCAREER PAINTINGS
Merlin Carpenter’s exhibition “MIDCAREER PAINTINGS” filled Kunsthalle Bern’s rooms with transit blankets stretched over identically scaled frames, each named after one of the artist's seven galleries and marked "not for sale." This publication documents these "paintings," the particular mix of playfulness and earnestness in Carpenter's art, and how the works thematize the limbo of the "midcareer" artist as well as the circulation of the artwork as a commodity that signifies material wealth or value.
Mario García TorresAn Arrival Tale
Appropriation, storytelling, reenactment, and reportage are some of the strategies that Mario García Torres deploys to highlight the limitations of factual evidence and the agency of historical records and objects. An Arrival Tale detaches the Mexican artist’s works in the TBA21 collection from their original contexts and offers them as a collection of narratives and artistic experiments open for reinscription in order to address the conditions and urgencies of our contemporary societies. It examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return.
Minouk LimUnited Paradox
What role does historiography play in the formation of the present? How does contemporary experience inform the commemoration of historical events or lack thereof? Minouk Lim explores history in the present tense—its media representation, collective memory, ritual, and trauma—through her exhibition, publication, and broadcasting station United Paradox.
Reto PulferZustandskatalog: Catalog of States and Conditions
In the style of a catalogue raisonné, Reto Pulfer’s comprehensive monograph, Zustandskatalog: Catalog of States and Conditions, follows the artist’s work over the past fifteen years. Excerpts from the artist’s novels as well as insightful texts by Anselm Franke and Benoît Maire are juxtaposed with 475 documentary photographs of Pulfer’s technical drawings, one-off exhibitions, large-scale installations, and performances. Categories such as living ceramics, food advice, ghostology, synesthesia, and transformation are woven throughout the book, giving unique insight into the ideas and imagination that are part of the work itself.
Goldin+SennebyThe Exquisite Corpse of August Nordenskiöld
In the ancient art of alchemy, some elements can change to other states of matter while others cannot. At least not without magic. And a touch of trickery. For some time now, Goldin+Senneby have been interested in a utopian alchemist named August Nordenskiöld (1754–1792) who sought to create enough gold from inferior metals to permanently abolish its value, and the tyranny of money with it. The Exquisite Corpse of August Nordenskiöld contains seven essays written by a historian of ideas, a sociologist of finance, a literary and cultural historian, a stage magician, an artist, an anthropologist, and a poet.
Sara van der HeideThe German Library Pyongyang
Die deutsche Informationsbibliothek Pjöngjang
For the 1st Asia Biennial/5th Guangzhou Triennial, artist Sara van der Heide converted a public library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. Van der Heide’s German Library was to offer a set of public cultural programs: a group exhibition, video program, performances, and seminar. However, at the last minute the project was censored by the Chinese Cultural Bureau, turning what was to be an investigation of libraries and the institutional sharing of culture into an intimate reflection on power and censorship, political art, and the historical experiences shared across formerly divided Germany and the two Koreas.
Victor ManLuminary Petals on a Wet, Black Bough
Luminary Petals on a Wet, Black Bough is an artist’s book focusing on Victor Man’s series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The book includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.
Inhalt concentrates on Eberhard Havekost’s painting from the past ten years, focusing on work first exhibited at KINDL – Centre for Contemporary Art, Berlin, in 2016/17. The work’s heterogeneity is evident in the selection of subjects, as well as the styles employed. This extreme range characterizes Havekost’s artistic work as a whole. The artist situates his paintings in complex interrelationships, where connections and relevancies are constantly reconfigured, forming a continuously growing web.
Darja BajagićUnlimited Hate
For her first institutional solo Darja Bajagić turns to the murky terrain where real and staged violence bleed into each other with an ease both unsettling and alluring. This has been a key undercurrent to a practice that spans painting, sculpture, video, and installation. Following the lure of the fringes, the artist culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.
Nathalie Du PasquierBIG OBJECTS NOT ALWAYS SILENT
Nathalie Du Pasquier was one of the founding members of Memphis, the groundbreaking Milanese design and architecture collective. Since 1987, however, her main focus and passion has been painting. The title of this publication describes the main focus of her work: the still life. It consists of an artist’s book by Du Pasquier with drawings, photographs, and reproductions of her paintings, and a book with photographs by Delfino Sisto Legnani of works from the past decades. Texts by writers and artists and an interview with Du Pasquier provide an informative and subjective view of her artistic practice.
James RichardsRequests and Antisongs
Requests and Antisongs is an artist’s book to accompany a sequence of exhibitions by James Richards held at Bergen Kunsthall, Norway; Institute of Contemporary Arts, London; and the Kestner Gesellschaft, Hanover. The book contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.
Boy Vereecken (Ed.)Signature Strengths
The No-Frills book series was developed in the early 1980s as a translation of the non-branding strategy of supermarket staples to mass-market genre fiction. The result of research into this experimental series, Signature Strengths also includes complete reproductions of its books—Western, Mystery, Science Fiction, and Romance.
Lawrence Abu Hamdan[inaudible]
A Politics of Listening in 4 Acts
A “politics of listening” is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard. Listening is a political act, a pedagogical process, and an activity that can lead to the development of an organized protocol for engagement. In his art and research, Beirut-based artist Lawrence Abu Hamdan explores the perception of language, sound, and listening. National identity, human rights, and the administration of justice are recurrent themes in his work.
Gordon BennettBe Polite
Gordon Bennett: Be Polite follows the exhibition of largely unseen works on paper by one of Australia’s most visionary and critical artists, Gordon Bennett (1955–2014). The exhibition and publication are the first to present the work of Bennett since his death. Though rarely seen in exhibition contexts, Bennett’s drawing and writing formed the foundation of his practice.
Angela Bulloch, Maria ZerresConsidering Dynamics and the Forms of Chaos
This volume accompanies the eponymous exhibition at the Sharjah Art Museum—two parallel solo shows by Angela Bulloch and Maria Zerres brought together under one title, framed by the notion of entropy. A key term that characterizes the movement toward chaos, entropy appears in a variety of fields such as physics, probability theory, sociology and information technology. Within contemporary art, entropy has emerged to refer to installations often associated with representations of order, disorder and information, and their homogeneity.
Keren CytterA–Z Life Coaching
An incomplete guide for life. Each person written about is represented by a letter, and when an object turns into a subject it is marked in bold.
This book was written from the middle. The contents of these pages have been modified numerous times. Notes were taken, ideas were rewritten—the ones that survived bare the most essential guidelines and wisdom for life
Kalimpong is an artist project in book form by the London-based artist Shezad Dawood. Set in Kalimpong at various moments from 1912 to the present day, Dawood’s project is part fact, part fiction. There are explorers and spies, poets and travelers, lovers and strangers, princesses and humanoids, all strangely connected across the globe through this curious Indian town.
Irena HaidukSeductive Exacting Realism
A 13-volume set of Marcel Proust’s collected works was published in Yugoslavia in 1967. This edition, in the Latin alphabet, was highly valued by Yugoslav intelligentsia for its elegant translation from French by the poet Tin Ujević. During the Bosnian civil war, these Proust sets fetched up to the equivalent of a full year’s salary in the Belgrade black markets. They were frequently looted together with other valuables from Bosnian homes. The set exhibited in Irena Haiduk's “Seductive Exacting Realism” was seized by local police from Belgrade Kalenić Market in 1995. It was acquired at a public auction in 2014. It is missing volume number 12.
Pauline Boudry/Renate Lorenz I Want
This publication documents the major film installation I Want (2015) by collaborative artists Pauline Boudry and Renate Lorenz. The double-projection film installation is based on a script that borrows texts from American punk-poet Kathy Acker, as well as chats and materials by convicted whistle-blower Chelsea Manning that speak of her reasons for revealing nearly one million secret military and diplomatic documents through WikiLeaks, at the same time exposing her transgender identity to her superiors. Through poetic gestures of appropriation and recombination, Boudry and Lorenz examine issues around gender, sexuality, the performance of identity, and the nature of collaboration.
Kate CooperLOOK BOOK
Through her videos, exhibitions, and photographic works, Kate Cooper explores the role of gender and what agency images might possess in and of themselves. Producing images becomes akin to building infrastructure; her computer-generated bodies are imbued with power and put to work. This publication accompanies the first institutional solo show by Cooper, winner of the 2014 Schering Stiftung Art Award. Cooper returns to the CGI female models used in her exhibition at KW Institute for Contemporary Art, Berlin, to create a new series of works situated within the fictional space of the lookbook.
Apple. An Introduction(Over and over and once again)
A supplement to exhibitions held at Museum Abteiberg, Mönchengladbach, and Muzeum Sztuki, Łódź, this book centers around the apple as an art object and as a case study in biodiver sity under threat. Developed over the course of an ongoing, five-year correspondence between artist Antje Majewski and the Polish conceptual artist Paweł Freisler, the project explores the idea of diversity in all of its possible meanings and manifestations, tying together collaborative and associatively connected works by Majewski and Agnieszka Polska, Freisler, Piotr Życieński, and Jimmie Durham in a museum exhibition dealing with the apple.
Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery. For the exhibition, two complementary yet autonomous artists were brought into dialogue with each other: German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.
Fredrik VærslevAll Around Amateur
Fredrik Værslev’s work navigates between different painterly traditions, and demonstrates the possibilities and relevance of the medium today. He treats his paintings as objects, often created through more or less laborious, serial, or deterministic processes where time itself, as well as various external factors, become active cocreators in the making of the work. Published in conjunction with Værselv’s exhibition “All Around Amateur” at the Bergen Kunsthall and Le Consortium, Dijon, this publication comes in two different versions, with each book comprising 320 one-to-one digital images scanned from eight of Værslev’s new “sunset” paintings.
Lara FavarettoAgeing Process
Ageing Process, Lara Favaretto’s first monograph, documents the artist’s works from the 1990s to her most recent installations presented in the 2015 exhibition “Good Luck!” at MAXXI in Rome. Structured like a manual, this volume accompanies entries on her works with essays by critics and experts from various disciplines who tackle themes complementary but not directly connected to the artist’s practice.
Charlemagne Palestine works from a highly personal universe of ritual, intoxication, and shamanism. Over the last four decades the artist has created an extensive body of experimental musical compositions, bodily performances, and, in later years, visual artworks inhabited by stuffed animals. To Palestine, teddy bears figure as powerful shamanic totems, which he fondly calls “divinities.”
Josephine Meckseper10 minutes after
10 minutes after features installation views from Josephine Meckseper’s recent exhibition at Timothy Taylor, a gallery of “psychoimages,” and two newly commissioned texts. Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations.
Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Olivia Plender Rise Early, Be Industrious
As the first significant overview of the work by artist Olivia Plender, this monograph navigates through the evolving attitudes to historical and contemporary forms of communication and education that her research-based practice has explored for the last ten years.
Wendelien van OldenborghAmateur
Amateur is the first comprehensive publication about Wendelien van Oldenborgh’s moving image works, and their accompanying installations. Developed over the past ten years of her practice, these works explore communication and interaction between individuals, often against the backdrop of a unique public location, in order to cast attention on repressed, incomplete, and unresolved histories.
Eva Grubinger Black Diamond Bay
Eva Grubinger’s exhibition explores the idea of psychological landscapes—a physical or mental journey—that evokes ideas of escapism and the search for the self. Released in conjunction with the show, this catalogue features visual documentation of the exhibition by Sylvain Deleu, and an accompanying text by Fatoş Üstek.
The subject of this book is a deceased prop, an object of a particular color, the green of cinematic trickery and special effects. It edged itself into Shahryar Nashat’s work in 2011, first appearing in Factor Green, an installation the artist produced for the Venice Biennale. Taking its final form a year later, the prop became properly known as La Shape. Accompanied by archival images and a series of portraits that Nashat made during La Shape’s most prolific years, Obituary is a gripping read into a most mysterious icon and a timely consideration of the roles played, and agency expressed, by such a highly mediated art object.
Roee RosenThe Blind Merchant
An artist book juxtaposing text and image, history and its revision, The Blind Merchant was produced from 1989 to 1991. The work is composed of three elements: the complete text of Shakespeare’s The Merchant of Venice; a “parasitical” text written by Roee Rosen that runs alongside the play, adopting the perspective of the principal antagonist Shylock, the Jewish moneylender; and 145 drawings that present an alternative approach to the drama’s staging and casting of characters—Shylock is depicted as the blind merchant with drawings made by the artist while blindfolded.
Dexter SinisterUniversal Serial Bus
What’s on a Universal Serial Bus? A collection of electronic works by Dexter Sinister produced from 2008 to 2015. Dexter Sinister is the compound name of Stuart Bailey and David Reinfurt, who operate at the intersection of graphic design, publishing, and contemporary art. This memory stick is released parallel to the exhibition at Kunstverein München, “On a Universal Serial Bus.*”
Jos de Gruyter & Harald ThysFine Arts
Fine Arts continues Jos de Gruyter & Harald Thys’s playful and dystopic approach to depicting the human condition. The artist duo became watercolorists for the project, harping back to an early amateur pictorial tradition while basing their picture making on a range of quotidian and historical images culled from the Internet.
Jos de Gruyter & Harald ThysDie Schmutzigen Puppen von Pommern
Part document, part photographic album, this book by artist duo Jos de Gruyter & Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in Pomerania, a historical region on the southern coast of the Baltic Sea. The “dirty puppets” are weary, the clothing worn in by history, their story line deadpan and fable-like.
Mierle Laderman UkelesSeven Work Ballets
Mierle Laderman Ukeles’s Manifesto for Maintenance Art 1969! Proposal for an Exhibition “CARE” (1969) was a major intervention in feminist performance practices and public art. In 1977, she became the unsalaried Artist-in-Residence for the New York City Department of Sanitation, a position she still holds that enables her to introduce radical public art into an urban municipal infrastructure. This monograph focuses on Ukeles’s work ballets—a series of large-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables— which took place between 1983 and 2012 in Givors, New York, Pittsburgh, Rotterdam, and Tokamachi.
Keren Cytter, Nora SchultzTerminal
Terminal is an artist book conceived by Nora Schultz and Keren Cytter. Its title and logic follow Schultz’s latest performance, Terminal + at Tate Modern, London (2014), and the exhibition “I’m Honda” at Reena Spaulings Fine Art, New York (2015). Nora Schultz used Google’s image search on her own documentation to create an unexpected, ever-expanding narrative of digital associations. She then invited nine artists to contribute to this narrative.
Joana Hadjithomas & Khalil JoreigeThe Rumors of the World
Rethinking Trust in the Age of the Internet
This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages. The artists present material they have collected since 1999, focusing on the way that personal narratives are formed and articulated in a post-digital age.
Marcos LutyensMemoirs of a Hypnotist
When Marcos Lutyens arrived in Kassel in the summer of 2012, he didn’t know he would end up staying for the entire 100 days of documenta 13 to perform 340 hypnotic sessions with the audience. He also didn’t know that he would write a book about it: Memoirs of a Hypnotist: 100 Days, an intimate and hardly qualifiable document.
Spells is the first collection of Irena Haiduk’s writing, gathering her texts and limited-edition publications since 2007. Moving through a wide range of formats, the book encompasses manifestos, music scores, forecasts, conversions, translations, architectural programs, and other difficult-to-categorize works. With sharp teeth and a killer instinct, Haiduk leads the way to a sunny spot where every soul suffers infinite injustice.
Alhena Katsof, Dana YahalomiSolution 263
The phenomenal performative relationship between the state and its cultural institutions was perhaps best exemplified when the declaration of the State of Israel was staged at the Tel Aviv Museum of Art in 1948. This relationship has been at the heart of Public Movement’s research. Solution 263: Double Agent, authored by Alhena Katsof and Dana Yahalomi, presents a methodology, manual, and performance offered as a culmination of efforts by the Office of Strategy and Protocol. It contains the necessary tools to activate Debriefing Sessions and in doing so trains future Agents in a series of one-to-one exchanges gathered from work in the field.
Dora GarcíaMad Marginal Cahier #4
I See Words, I Hear Voices
The fourth volume of the Mad Marginal Cahier series brings together essays by international authors that develop different threads pertaining to artist Dora García’s practice. In her research, she explores—through the figures of James Joyce and Robert Walser—deviant literature, exploded language, the unconscious, and the notion of exile as inherent to artistic practice.
Sarah EntwistlePlease send this book to my mother
In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography. In 2011, the astounding personal effects of her grandfather, architect Clive Entwistle (1916–76), emerged from a Manhattan storeroom. This book welds together original text fragments and extensive visual material from the collection and Clive Entwistle’s years in Paris, London, Tangiers, and New York.
In 2005 Vincent Fecteau participated in a project in Los Angeles called “The Backroom,” in which artists were asked to contribute materials related to their research, sources, and interests. Using a large collection of magazine pages he had kept for inspiration, Fecteau arranged and rearranged them into formal and narrative relationships over the course of several months, and presented them in a simple black binder. This book is a reproduction of the resulting selection.
Mario Pfeifer, Kamran SadeghiApproximation
Kamran Sadeghi, New York-based musician and member of the Soundwalk Collective, contributed the musical score for Mario Pfeifer’s video installation Approximation in the digital age for a humanity condemned to disappear (2014). For his digital compositions Sadeghi, in dialogue with Pfeifer, took the field recordings made by missionary and anthropologist Martin Gusinde in 1923 of Yaghan chants in Bahia Mejillones as point of departure and reference.
Benjamin SerorMime Radio
Mime Radio was performed and written orally by French artist Benjamin Seror at a series of events over a two-year period, then transcribed and edited into a novel. The story revolves around a cast of eccentric characters, who meet at the Tiki Coco, a bar in Los Angeles that holds “Challenging Reality Open Mic” nights for amateur inventors and performers.
Jaanus SammaNot Suitable for Work. A Chairman’s Tale
Jaanus Samma’s exhibition “Not Suitable for Work. A Chairman’s Tale,” conceived for the Estonian Pavilion at the 56th Venice Biennale, tells the story of the former collective farm chairman Juhan Ojaste (1921–1990), a war hero and family man, who was declared “not suitable for work.” He was found guilty after being subjected to humiliating criminal trials in the 1960s for his involvement in homosexual acts in Soviet Estonia. He lost his job and was abandoned by his family. After spending a year and a half in a corrective labor camp, Ojaste moved to Tartu where he became a local legend, notorious for his active gay life.
Flaka HalitiSpeculating on the Blue
Published in conjunction with Flaka Haliti’s solo presentation conceived for the Kosovo Pavilion at the 56th Venice Biennale, this book continues the artist’s invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory. Through the use of a saturated blue color altered by light and demarcated by architectural forms, the installation at the Venice Biennale reflects on the salient concept of the border.
Ane Hjort Guttueating or opening a window or just walking dully along
On the occasion of Ane Hjort Guttu's 2015 Festival Artist exhibition at Bergen Kunsthall, which presents the new commissioned film Time Passes (2015), this substantial monograph gathers reflections on recent projects and offers insight into the artist’s work and methodology.
Mathilde ter HeijnePerforming Change
Performing Change, a collection of interviews by artist Mathilde ter Heijne, explores the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art. Designed as an artist’s book, the book shows handwritten revisions, annotations, and drawings from contributors.
This artist’s book and monograph presents a broad selection of Mirjam Thomann’s work from 2006 to 2015. Along with spreads of 109 color images, 2015 Mirjam Thomann includes a preface by art historian and curator Eva Maria Stadler and a comprehensive essay on Thomann’s work by art historian, critic, and artist Tom Holert.
Gabriel LesterForced Perspectives
In this book Gabriel Lester’s prolific adventures and art practice are illustrated through an alphabetical assortment of his most prominent installations, interventions, sculptures, and films of the past fifteen years. Alongside comprehensive exhibition documentation, the actual construction and installation of the artworks is presented.
First published in German in 1987, this is artist and writer Jutta Koether’s meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.
Artist NovelsThe Book Lovers Publication
This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.
Yto BarradaBefore History
The Abraaj Group Art Prize 2015
Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh. The exhibition explores the layering of time through historical artifice. History here is considered as a constructed sphere, constantly in flux, simultaneously being buried and excavated.
Amar KanwarThe Sovereign Forest
The Sovereign Forest attempts to reopen discussion and initiate a creative response to our understanding of crime, politics, human rights, and ecology. The validity of poetry as evidence in a trial; the discourse on seeing, on understanding, on compassion, on issues of justice; sovereignty and the determination of the self—all come together in a constellation of moving and still images, texts, books, pamphlets, albums, music, objects, seeds, events, and processes.
“K. D. has created a masterwork of metaphysical detective fiction. Headless is a coded, clandestine novel that nevertheless makes for breathless reading until the last page.” Dominique Gonzalez-Foerster, artist
F. T. Marinetti and Fillìa The Futurist Cookbook
On the Table IV
In 1932, F. T. Marinetti and his collaborator Fillìa published The Futurist Cookbook, a manifesto-as-culinary-innovation. Replete with experimental recipes (the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating), the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
Noon on the MoonPoetic Series #4
The fourth issue in the “Poetic Series” is a seasonally themed special issue, a festive anthology composed of contributions from more than twenty writers and artists. Each interpreting the theme in an unconventional and abstract sense, it is an alternative omnibus of everyone's favorite and most controversial holiday. Noon on the Moon's title comes from a poem by Barry Schwabsky, featured alongside poetry by Charles Bernstein, Judith Goldman and Dorothea Lasky, prose by Veronica Gonzalez Peña, Andreas Schlaegel and Sarah Wang, amongst others. Artwork is provided in the form of a colorful collection of romance covers illustrated by Vicki Khuzami.
Stephanie Kloss’s photographs capture the mythos and utopianism of architecture in locations as diverse as Athens, Berlin, the United States, and Japan. Yet it is the commonality of modernist architectural form rather than the peculiarities of place, nation, or time that attracts her lens. In Weltausstellung, visual anonymity is the main event—but not the whole story. Embedded in Kloss’s photographs, as the absorbing essays in this catalogue reveal, are invisible histories of human enterprise, idealism, and trauma.
Jos de Gruyter & Harald ThysDas Wunder des Lebens
Like a pictorial encyclopedia, Das Wunder des Lebens contains over four hundred drawings that show all that the modern world has to offer, from maps and city views to cars and airplanes. However, unlike conventional pictorial dictionaries, there is no symbolic system. Juxtapositions are normalized, and normality becomes a farce.
A catalogue as puzzling and conceptually elaborate as the exhibition it accompanies. This fully circular publication has no beginning or end, allowing for multiple points of entry and unconventional ways of reading--both from left to right and vice versa, as well as upside down and right-side up--seeking to interrupt learned behaviors and soliciting the reader's active engagement.
Michael Tedja’s Aquaholism is an exhibition catalogue, a published oeuvre, an artistic treatise, a poetry collection, a visual essay, an artist’s book. It is a polyphonic collage of text and image. More than seventeen years of artistic output unfold between the first and last pages. With its thoroughness, density, and associative power, the book embodies Tedja’s artistic essence: voluminous, interrelated, and in continuous motion.
Ilit AzoulayFinally Without End
Finally Without End features Ilit Azoulay’s meticulously composed photographs, and includes work from the series “Implicit Manifestations,” created during a six-month residency at the KW Institute for Contemporary Art in Berlin.
Gerry BibbyThe Drumhead
Artist Gerry Bibby’s first publication is a work of fiction that expands on the use of text in his sculpture, performance, and image work. Evoking William Burroughs’s The Wild Boys and Robert Walser’s The Walk, these “language costumes” pay homage to an unruly tradition of radical and queer literary presences over the last century. Their captivating passages brim with wit, wry observation, and (occasional) disgust, offering viewers “ways out,” even if only while reading.
Paul SietsemaAt the hour of tea
At the hour of tea is a collection of stills from Paul Sietsema’s most recent 16 mm film of the same title. A filmic space develops within pages of the book, moving through and layering the film’s imagery—tableaux of objects—via a system of cut portals and transparent screenlike pages.
This publication is a work of both art and theory, and aligns itself with a socially activated, political understanding of aesthetics. A concept of production emerges—in the words of Krüger & Pardeller, “concrete openness.” The artist duo offers the readers and authors the precise aesthetic space of experience that constitutes their artistic practice.
Ines LechleitnerThe Imagines
The Imagines is based on the texts of four writers that each engage with a recent project by Ines Lechleitner. In response to each critical contribution, Lechleitner develops a visual section where elements and fragments of the selected projects build up their own narrative in relation to the specific space of this book.
Pauline Boudry/Renate LorenzAftershow
As an artists' book, Aftershow engages with the recent film installations of Pauline Boudry/Renate Lorenz. Installation shots, research material, scripts, and film stills give an insight into the artists’ investigation of performance in film and their dense net of references to experimental film, the history of photography, sound, and underground (drag) performances.
Katja EydelSchattenfuge / Shadow Gap
This publication presents artist Katja Eydel’s photographic body of work. The individual projects focus on different environments that are often characterized by crisis—mostly dealing with communities and their fringes, with proxies and symbolic representations, as manifested, for example, in forms of protest or religious garments.
Florian ZeyfangSlow Narration Moving Still
Slow Narration Moving Still takes Florian Zeyfang’s eponymous exhibition at the Bildmuseet Umeå as its starting point and ends with the artist’s newest works, shown at Künstlerhaus Stuttgart and at KW Institute for Contemporary Art, Berlin. The arrested film, the silent video still, the rhythm of the slide projector—along the lines laid out by the experimental film, Zeyfang’s works express, in the language of the “minor medium,” a politics of form.
Fear of LanguagePoetic Series #3
The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles’s forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij, whose series comprises collected images from the Internet displaying the aftermaths of destroyed and looted cultural heritage sites in conflict zones such as Iraq, Mali, Egypt, Syria, and Bosnia-Herzegovina.
Michel AuderStories, Myths, Ironies, and Other Songs: Conceived, Directed, Edited, and Produced by M. Auder
Since his arrival in New York in 1969, the French artist Michel Auder has authored more than five hundred video works that chart five decades of the medium’s history. Employing new video formats as they become available, many of which have quickly fallen into obsolescence, Auder has prolifically produced short and feature films as well as video installations and photography that transgress genres, gleaning the fields of art history, literature, commercial television, and experimental cinema. At once poetic and critical, cruel and confessional, Auder’s casually virtuosic oeuvre continues to disrupt traditional perceptual habits of moviegoers and art audiences alike, subverting notions of filmic narrative and process.
Ken Okiishi, Annie Godfrey Larmon, Alise Upitis The Very Quick of the Word
Ken Okiishi’s artwork has explored the subject in between digital and continuous space, the changing nature of authorship, memory, and perception, and the indeterminacy of consciousness as it clashes with the strictures of technology. He has engaged seminal works by figures including Woody Allen, Arthur Rimbaud, Marcel Duchamp, Stephen Spielberg, David Wojnarowicz, Jacques Demy, and Larry Clark (and the histories and personalities that circulate around these cultural products), infusing them with autobiographical and technological elements that reframe them through the incongruity of “real life.”This book is the first instance of considering Okiishi’s work from the last fifteen years as a heterogeneous whole.
Roee RosenMaxim Komar-Myshkin: Vladimir’s Night
Vladimir's Night is the chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art. Part children’s book, part gory political assault and part erotic farce involving elaborately detailed paintings that draw from the most disparate sources, the work is not only Komar-Myshkin's magnum opus, but an instrument of psycho-aesthetic retaliation against Vladimir Putin, whom the artist believed had a personal vendetta against him. Komar-Myshkin committed suicide in 2011, soon after completing the album.
Victor BurginFive Pieces for Projection
Victor Burgin’s Five Pieces for Projection introduces recent projection work from 2010 to 2014, and coincides with the artist and writer’s retrospective exhibition “Forms of Telling” at the Museum für Gegenwartskunst Siegen.
Silke Otto-KnappQuestions of Travel
This book is published on occasion of the parallel exhibitions Silke Otto-Knapp presented in two markedly different locations: on Fogo Island, Newfoundland, and at the Kunsthalle Wien Karlsplatz, Vienna. The contrasting influences of place—between rural and urban, new and old world—is evident in the selection of works presented and compiled in this catalogue.
J. Parker ValentineFiction
This artist book includes a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine’s approach to working, which gestures toward abstraction and improvisation. For this book, many images have been adapted, reoriented, and/or manipulated. Also included are three essays that investigate Valentine’s process, considering work that has emerged from her previous projects, residencies, and exhibitions to date.
Peacocks with HiccupsPoetic Series #2
The second issue in the Poetic Series takes its title Peacocks with Hiccups from the poetry of Berlin-based artist Karl Holmqvist, whose work is featured alongside American poet Catherine Wagner and emerging Spanish writer Luna Miguel. Artwork is provided by Koo Jeong-A, whose simple line drawings were chosen from a series titled “Dr. Vogt.” Koo Jeong-A walks personal and cultural grounds to record relationships and comical encounters within landscapes and interiors.
Ion GrigorescuDiaries 1970–1975
Ion Grigorescu’s diaries from the crucial years of 1970 to 1975 are a small literary and art-historical sensation. It not only corrects the facile reading of Grigorescu’s practice in the context of Conceptual art and performance, but provides insight into the artist’s multifocal thinking, which incorporates an original critique of modernism, the dystopian effects of an instrumentalized idea of reason and rationality, an analysis of subjectivity, and a penetrating gaze into a dialectic of secrecy and elucidation, of exposure and mystification.
Nina CanellStray Warmings
Testing the intimate intersection of audience, object, and event, Nina Canell’s work has been described as “tethered to fragmented and often partially withheld narratives [and] comprised of choreographed indirection and relay.” Published in relation to the exhibition “Stray Warmings” at Midway Contemporary Art in Minneapolis, this new monograph documents the broader framework that has defined the artist’s practice, considering how intuition, corners, and a stratification of the transparent have formed Canell’s understanding of sculpture and its dissolution.
Melissa GordonMaterial Evidence
Material Evidence expands on the formal concerns and critical debates developed through Melissa Gordon’s exhibition of the same name, following a joint residency with Spike Island and Spike Island Print Studio in Bristol, in the summer of 2013.
Peter WächtlerCome On
At a moment when narrating experiences seems more important than having them, Peter Wächtler’s writing foregrounds different narrative techniques and traditions as means of rationalizing one’s place in the world, of grappling with and giving meaning to one’s existence. Here, the social totality creeps into the picture. Come On compiles ten texts written between 2011 and 2013.
Haegue YangDare to Count Phonemes and Graphemes
This catalogue accompanies two parallel solo exhibitions by Haegue Yang held in the fall of 2013: “Journal of Bouba/kiki” at Glasgow Sculpture Studios (October 5–December 20, 2013); and “Journal of Echomimetic Motions” at Bergen Kunsthall (October 18–December 22, 2013). This new collaborative publication, Dare to Count Phonemes and Graphemes, has evolved within the framework of these geographically separate yet collaboratively conceived exhibitions.
Jakob Schillinger (Ed.)The Sixth Year
Set in the New York art world, The Sixth Year reinterprets the format of a TV series. In five episodes, a fictionalized narrative stages the backstage and theatricalizes the social interactions and power games, the aspirations, passions, and everyday realities of the field.
Aleksandra MirThe Space Age
The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career (1999–2013).
This publication consists of two essays by Sven Beckstette and Gabriele Knapstein, as well as Andrea Pichl’s photographs, sculptures, and drawings to date.
Daniel Maier-ReimerThe Italian Journeys of
Four Walks by Daniel Maier-Reimer, 2012–2013
The publication, conceived by Clegg & Guttmann, is a response to Maier-Reimer’s invitation to present his recent body of work for his contribution to the exhibition “Villa Romana 1905–2013: Das Künstlerhaus in Florenz” at the Bundeskunsthalle, Bonn.
The Atlantis Search EnginePoetic Series #1
The Atlantis Search Engine, the first edition in the Poetic Series, features a selection of poetry and prose by Matthew Dickman, Roman Baembaev, Josef Strau, and drawings produced specifically by John Kelsey based on the film The Canyons.
This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
Deborah LigorioSurvival Kits
For years now our lives have been shaped by a crisis impacting both our economy and our personal lives. But what is ultimately in crisis? Survival Kits offers twelve perspectives on this issue—from fields as diverse as philosophy, politics, media theory, environmental activism, feminism, post-human theory, literature, geopolitics, art, and economics.
Kate NewbyLet the other thing in
In Kate Newby’s site-responsive installations, handcrafted and found objects are often combined with words or phrases to form artworks that engage with the particularities of place. The New Zealand artist’s intimate engagement with materials and nonhierarchical involvement with space exhibit a sophisticated understanding of the role that architecture plays in the shaping of thought and perception, our sense of self in the body and in community.
Dénes FarkasEvident in Advance
“If I don’t trust this evidence why should I trust any evidence?," Wittgenstein asked himself in "On Certainty." Dénes Farkas’s work is haunted by a drama of not delivering a trust to a singular evidence of this world: a world as he found it. Hysterically reproduced paper maquettes of choreographed architecture, imprisoned within a clumsy, photographic frame, are abstract shelters for imagined and unspoken texts. Words are characters in performance of a world as a text.
Jos de Gruyter & Harald ThysOptimundus
M HKA 08 02 13 - 19 05 13
Jos de Gruyter & Harald Thys’s art casts a merciless perspective on reality. Through their numerous artistic approaches—including installations, video, drawing, sculpture, performance, and photographs—the artist duo visualize their imaginings of the parallel world inherent within the modern human psyche, along with how it manifests itself in the everyday aspects of life and civic conformity. This book accompanies their major exhibition at M HKA of the same title.
Mai Abu ElDahab (Ed.)Behave Like an Audience
Behave Like an Audience is a limited-edition vinyl commissioned and produced by Mai Abu ElDahab, and features musical tracked penned by a group of artists ElDahab worked with at Objectif Exhibitions, Antwerp, and performed by the musical trio Concert.
FuturefarmersA Variation on Powers of Ten
A Variation on Powers of Ten uses the opening picnic scene of Charles and Ray Eames’s film Powers of Ten as score to guide ten discussions. The result of a research-based residency at the University of California Berkeley Art Museum and Pacific Film Archive, the publication includes four essays and ten interviews with researchers whose work relates to one of the magnitudes of ten of the 1968 IBM-commissioned film.
Ruth BuchananThe weather, a building
This new artist book by Ruth Buchanan charts three narratives associated with the life of the Staatsbibliothek Berlin, which acts as an example of the tension between what is contained in libraries and how it is contained.
Katja Gretzinger (Ed.)In a Manner of Reading Design
If design aims at taking a critical stance, it needs to change its acquaintance with knowledge and develop its own discourse to understand the underlying conceptions that are at play. The metaphor of the "blind spot" proposes the perspective of looking at what is implicit or unnoticed in our perception. By doing so, it seeks to open up common readings of what design is and can do. In a Manner of Reading Design features different texts and artistic contributions, opening up a debate that reminds us of our dependence on the other in any conception—and any project design might aspire to.
Maria Fusco, Ursula MayerGonda
Gonda, a new book by Ursula Mayer and Maria Fusco, experiments in cinematic and linguistic registers through polyphonic monologue. Taking the form of a ciné-roman, the book is based on Mayer’s 16mm film of the same name, with a screenplay written by Maria Fusco and commissioned by Film London.
In the fall of 2010, Jessica Warboys discovered photographic portraits of dancer Hélène Vanel in the disused Bibliothèque Smith-Lesouëf, Nogent-sur-Marne. Warboys later discovered an unpublished manuscript by Vanel in the adjoining archives of the Maison nationale des artistes, a retirement home for elderly artists.The artist then translated the texts herself and condensed the drama, and thus shifted Vanel’s role from manuscript to script.
Omer Fast5,000 Feet Is the Best
This publication focuses on a single work of art: 5,000 Feet is the Best (2011) by artist Omer Fast.With this cinematic video work, Fast has entered into a discussion about one of the most pressing issues today, namely drone surveillance and warfare—that is, the use of unmanned planes operated by “pilots” on the ground.
Tom McCarthy, Simon Critchley, et al.The Mattering of Matter
Documents from the Archive of the International Necronautical Society
On August 7, 1999, Tom McCarthy founded the International Necronautical Society (INS) with a public presentation of the "Founding Manifesto," a touchstone that would inform the organization’s proceedings for years to come. Composed of official committee members and illicit “agents,” the INS harks back to early twentieth-century avant-gardes, producing declarations, reports, public hearings, broadcasts, and research documents, as well as orchestrating more covert media infiltrations, all governed by the objective, set out in the "Founding Manifesto," of mapping, entering, and occupying the space of death through literature, philosophy, culture, and technology.
Keren CytterD.I.E. Now
The True Story of John Webber and His Endless Struggle with the Table of Content
Published on the occasion of the performance of Show Real Drama, this monographic publication concentrates on a performance Keren Cytter developed for If I Can’t Dance, I Don’t Want to be Part of Your Revolution’s edition on Masquerade (2008–10).
Akram ZaatariA Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi
In April 2010, during his residency at Les Laboratoires d’Aubervilliers, Akram Zaatari attempted to write, improvise, and deliver a conversation with an imagined Israeli filmmaker, giving him the name Avi Mograbi. In this conversation, Zaatari revisits photographs he made in his teenage years during the Israeli occupation of his hometown, Saida, in 1982, and imagines what an Israeli filmmaker could have experienced in the same period.
Maria LobodaOh, Wilderness
“Verbal sculptures” and “strange archaeologies”—Maria Loboda’s recent works expose prior events through sparse details of entangled secrets, material contradictions, and masked collusions. Oh, Wilderness demonstrates the artist’s aesthetic equation between language and materiality as it works the other way around, translating materials expressive of a certain weak semiotics to language.
Simon Starling / SuperflexReprototypes, Triangulations and Road Tests
Reprototypes, Triangulations and Road Tests brings together seven seminal works by Simon Starling and Superflex in a dialogical setting. These works “collapse” as unstable complexes around pertinent themes whose triangulated speculations are articulated by undisciplined objects, piercing through the layers of time and history and revisiting long-held certainties.
Cybermohalla Hub, a hybrid of studio, school, archive, community center, library, and gallery is a structure that moves between Delhi and diverse art contexts. The Cybermohalla project, which takes on the meaning of the Hindi word mohalla (neighborhood), has been engaged in rethinking urban life, and reimagining and reanimating the infrastructure of cultural and intellectual life in contemporary cities.
Martin BeckThe Aspen Complex
Martin Beck’s exhibition “Panel 2—‘Nothing better than a touch of ecology and catastrophe to unite the social classes…’” draws on the events of the 1970 International Design Conference in Aspen and the development of the Aspen Movie Map to form a visual environment that reflects the interrelations between art, architecture, design, ecology, and social movements. The Aspen Complex documents two versions of Beck’s exhibition, and brings together yet unpublished archival material and new research on the 1970 IDCA and the Aspen Movie Map.
Although Marianne Heier abandons the traditional exhibition spaces in connection with her projects, Art with a capital A is still always measured against other social constructs. At this point of intersection, Heier looks at the typical features of the various economies or values of given fields and how they overlap and collide. This project renders visible societal structures and consequences of such structures—of which we are not always aware. By shifting the perspective slightly, we can perhaps glimpse distinct values and new outcomes.
Tobias SpichtigBlue, Red, and Green
The artist book Blue, Red, and Green by Tobias Spichtig is published on the occasion of the exhibition at Ursula Blickle Stiftung, “the blue, the red, the green, the cuboid, and the pyramid.”
Charlotte Birnbaum (Ed.)The Beauty of the Fold
A Conversation with Joan Sallas
On the Table II
Joan Sallas, a virtuoso of the fold, has meticulously researched and mastered the history and techniques of the art of the fold. With the banquet table as setting, his expertise and philosophy pour forth in the form of splendid, folded linen.
Charlotte MothBleckede 2009 / Rochechouart 2011
Charlotte Moth conceived this book as a further elaboration of her artistic practice, linking different projects that have been realized since 2009.
Hassan KhanThe Agreement
Five Stories by Hassan Khan
Artist, writer, and musician Hassan Khan explores the margins at which a vernacular, be it linguistic or formal, attains its stature. Through a series of narrative portraits and accompanying images of his recent sculptures, Khan’s seemingly ubiquitous tales are in fact an attempt to let a story tell itself.
In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. Transferred to the medium of the book, the paintings are presented here in a new and unexpected way alongside mathematical diagrams and three texts.
Chris EvansGoofy Audit
The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations. To all intents and purposes, this publication is a comprehensive survey of his work, isolating and documenting the formalities of objects and situations.
Binna Choi, Axel Wieder (Eds.)Casco Issues XII: Generous Structures
Casco Issues is a magazine published by Casco – Office for Art, Design and Theory, which explores recurring issues that emerge from Casco’s program. The twelfth edition of Casco Issues, Generous Structures, is a playful enquiry into "playfulness" as a value in critical cultural practice. It positions alternative notions of playing against the grain of neoliberal ideologies of "lifelong learning" and "work as play."
Antje MajewskiThe World of Gimel
How to Make Objects Talk
The alchemy of things is at the core of Antje Majewski’s multimedia project, which aims at rethinking the representation and meaning of objects in the form of a highly personal and quasi-surreal collection. Based on the investigation of various museums and collections Majewski presents a utopian and subversive take on how to make objects talk. A German-language version of this publication is also available!
Mai Abu ElDahab (Ed.)From Berkeley to Berkeley
Objectif Exhibitions, 2008-2010
The publication includes a series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, over a two-year period, along with a collection of secondary and parallel material produced in collaboration with each artist. Ranging from the humorous to the pseudo-scientific, the artists discuss the methods by which their research is transformed into practice. Both the artists and the interviewers constitute a community of active and concerned arts practitioners who, through art-making, writing, curation and teaching, deal with issues of representation, behavioral patterns and historical legacy.
Merlin CarpenterThe Opening
This book presents the work of London-based artist Merlin Carpenter. Focused on a series of exhibitions entitled, The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.
R. H. QuaytmanSpine
Spine resembles a catalogue raisonné of R. H. Quaytman’s work produced since 2001, the year the artist began organizing paintings in what are called “Chapters.” Conceived and written by Quaytman, this more than 400-page volume presents a full decade’s output.
Bulletins of The Serving Library #1Summer 2011
Bulletins of The Serving Library is the new biannual publication from Dexter Sinister, which continues where the final issue of their previous house journal DOT DOT DOT left off.
Sebastian Cichocki, Galit Eilat (Eds.)A Cookbook for Political Imagination
The publication A Cookbook for Political Imagination accompanies the exhibition “… and Europe will be stunned” for the Polish Pavilion at the 54th Biennale of Art in Venice. This is not a traditional exhibition catalogue but rather a manual of political instructions and recipes, delivered by more than forty international authors.
Birgit MegerleBirgit Megerle
Birgit Megerle’s figurative and abstract paintings are characterized by an artificial, rigid, and stage-like atmosphere. This exhibition catalogue accompanied Megerle’s exhibition at Kunsthalle Lingen in the fall of 2010.
Andreas ErikssonNordic Pavilion
54th Venice Biennale, 2011
Andreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film. Trivial events and observations from everyday life and nature set off his metaphorical and existential contemplations.
Dora GarcíaMad Marginal Cahier #2
The Inadequate is the second cahier of the Mad Marginal project started by artist Dora García in November 2009. It is presented as the publication for the Spanish Pavilion at the 54th Venice Biennale 2011.
Zin Taylor has become known internationally for his elaborate installations encompassing elements of performance and sculpture along with drawing, printing, and video. This artist book is published on the occasion of the exhibition at the Ursula Blickle Stiftung, “The Units,” from May 29 to July 10, 2011.
Sung Hwan KimKi-da Rilke
The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim. In the book, Kim engages with the work of the Prague born poet Rainer Maria Rilke (1875–1926).
Fia BackströmNordic Pavilion
54th Venice Biennale, 2011
Fia Backström produces events, environments, and projects, which challenge our habitual notions of what constitutes an exhibition—its institutional context, the dialogue with the audience, and even the works of art that are presented.
Hans Dickel and Lisa Puyplat (Eds.)Reading Susanne Kriemann
The book is comprised of texts on Susanne Kriemann’s practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.
Wendelien van OldenborghA Well Respected Man, or Book of Echoes
The publication unfolds and draws an open-ended connection between individual and collective struggles and (emotional) conflicts intertwined with the colonial and decolonizing histories of Indonesia and the Netherlands by taking two film works by artist Wendelien van Oldenborgh, No False Echoes (2008) and Instruction (2009), as points of departure.
Knut ÅsdamThe long gaze, the short gaze
For several decades Norwegian artist Knut Åsdam has worked independently and uncompromisingly with his artistic projects, and he is today considered one of the central contemporary practitioners of film and video art.
Mario PfeiferReconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974
by Mario Pfeifer, 2009
The book discusses Mario Pfeifer’s recent 16mm film installation Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974. This installation, consisting of two synchronized, looped, and parallel projected films, takes it point of departure from the first monograph of Baltz’s work, published by Castelli Graphics, New York in 1974.
Hu FangGarden of Mirrored Flowers
Garden of Mirrored Flowers is
a labyrinth of reality in which one can get lost or find his/her own way; a theme park constantly consuming history; a contemporary Chinese garden replete with multiple routes.
Shahryar NashatDownscaled and Overthrown
Downscaled and Overthrown is the first monograph on the work of the Swiss artist Shahryar Nashat.
Andrea Geyer/Katya SanderMeaning Is What Hides the Instability of One’s Position
Andrea Geyer and Katya Sander’s Meaning is what hides the instability of one’s position is an artist’s book; a photographic essay that takes us through spaces of international airports.
Raqs Media CollectiveSeepage
Seepage gathers together a compilation of texts authored by Raqs Media Collective (Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta).
Joseph GrigelyExhibition Prosthetics
Exhibition Prosthetics by Joseph Grigely is the first in the Bedford Press Editions series of artists’ books edited by Zak Kyes. The series will engage with publications as a primary medium of practice, enabling artists to explore the inherent constraints and possibilities of the printed document.
The Otolith GroupA Long Time Between Suns
A Long Time Between Suns has been edited as an archival assemblage of The Otolith Group’s two-venue solo exhibition at Gasworks (February 15 – April 5, 2009) and The Showroom (September 8 – October 25, 2009).
Dexter SinisterPortable Document Format
This book explores contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of Dexter Sinister’s New York basement workshop and bookstore in the summer of 2006. The second part consists of reproductions of a series of lithographic proof prints.
Diango HernándezLosing You Tonight
This artist’s book comes in two volumes and is published on the occasion of Diango Hernández’ exhibition in the Museum für Gegenwartskunst Siegen, October 4, 2009 – April 5, 2010.
Dave Hullfish BaileyWhat’s Left
Using non-linear heuristic methods and experimental webs of information to draw links between the cities of Utrecht, and Slab City, California, USA, this book brings together speculative proposals that ask basic questions about public space, conceived as a physical and conversational sphere.
Sabine Bitter & Helmut WeberAutogestion, or Henri Lefebvre in New Belgrade
The artist book by Sabine Bitter and Helmut Weber is based on an unpublished text by French philosopher and urbanist Henri Lefebvre which is printed as a facsimile and accompanied by essays from Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith.
Liam GillickHow Are You Going to Behave? A Kitchen Cat Speaks
Wie würden Sie sich verhalten? Eine Küchenkatze spricht
This book documents Gillick’s project for the German Pavilion at the Venice Biennale 2009. It contains an introduction by the curator, a text by Liam Gillick about his work as well as the text spoken by the kitchen cat present in the show: “She speaks from the present and fights against the echoes of building’s interior. Its history is one of misrepresentation, misunderstanding and desires. Thus, the pavilion becomes a location for endless self-circulating histories that—in the end—represents our history as well.”
Loris GréaudTrajectories and Destinations
Trajectories and Destinations is an artist book documenting a selection of Loris Gréaud’s works.
Simon Dybbroe MøllerKompendium
Kompendium is an artist book accompanying the Danish artist’s first comprehensive solo exhibition at the Frankfurter Kunstverein and the Kunstverein Hannover.
Roee RosenSweet Sweat
Erudite, baroque, a dazzling writer and painter but maniacal and all-encompassing in his approach, Roee Rosen keeps erasing the fine line that separates fiction and truth, imagination and reality, just as Sade and Lautréamont have done before him. But this division doesn’t exist anymore. What makes his summa erotica erotic is that, for him as for Georges Bataille, pornography is philosophy.
Olaf HolzapfelNakano Sakaue
Nakano Sakaue documents a series of photographs realized by Olaf Holzapfel during a residency in Tokyo. The artist has depicted a kind of residue from the city’s buildings: neon lights, images, and street signs, which are featured as so many promises for orientation.
Keren CytterThe seven most exciting hours of Mr. Trier’s life in twenty-four chapters
The seven most exciting hours… is an adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describes seven hours in the life of Tibor Klaus Trier—Lars von Trier’s father—from the moment that his wife goes into labor early in the morning until Lars is born.
Peter FriedlWorking at Copan / Trabalhando no Copan
Working at Copan collects interviews with workers and employees at Edifício Copan, a landmark modernist architecture in the center of São Paulo. Designed by Oscar Niemeyer and completed in 1966, it became the largest residential building in Latin America. As a historical building and symbol of “vertical utopia,” it embodies an era of radical political and economic changes within Brazilian society.
Bernadette CorporationEine Pinot Grigio, Bitte
Eine Pinot Grigio, Bitte is a screenplay that cannot be a film; it is a film that can only be on paper. If the property of a film producer, Bernadette Corporation claims Eine Pinot Grigio, Bitte would be left derelict, abandoned to vagabonds and squatters. It is intended as a narrative of messy revenge, ruined by the screenplay form. With Eine Pinot Grigio, Bitte, Bernadette Corporation asks: How many amateur screenplay writers are there in existence compared to how many amateur novelists? What is the difference between a zombie and an insane cannibal?
Mariana Castillo Deball, Irene Kopelman (Eds.)A for Alibi
In the last few decades, a new branch of historical studies, called “experimental history” has begun to investigate scientific processes from a particular perspective, derived from a “hands-on” methodology.
In A for Alibi, the Uqbar Foundation has invited a group of artists to perform research and develop projects using the impressive collection of optical instruments housed in the Utrecht University Museum. Exploring the boundaries of scientific practice and art, the book documents the various stages of this project and reflects on the origins of modern visual culture.
Aleksandra MirThe Meaning of Flowers
Drawing upon the classic notion that flowers are imbued with meanings and a specific set of semantics with idealistic and hopeful connotations, Sicily-based artist Aleksandra Mir has edited and revised the botanical code in a more socially relevant fashion.
Manuel RaederPopurri: Agenda 2007
Agenda is an ongoing project by graphic designer Manuel Raeder which focusses on different methods of how people organize, in a personal or non-personal way, their time.
Bik Van der Pol Fly Me To The Moon
Taking as their starting point one of the oldest objects in the collection of the Rijksmuseum, a moon rock, artists Bik Van der Pol invited different writers to comment on issues of site-specificity, museum collections, and space law.
Katja EydelModel ve Sembol
Die Erfindung der Türkei/The Invention of Turkey
This publication documents both the visionary and utopic framework underlying the creation of modern Turkey.
This fully illustrated, artist-designed catalogue features the most recent work of New York-based artist Josephine Meckseper.
Rirkrit Tiravanija, PLAN.b Publishing oVER
Initiated by artist Rirkrit Tiravanija and edited by his Bangkok publishing house PLAN.b, oVER magazine offers an innovative publishing format for artists, photographers, architects, musicians, poets, and other groups and individuals that can join in and collaborate any time, from anywhere.
Antje Majewski, Ingo Niermann (Eds.)Skarbek
Skarbek is a dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann.
Contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro, and Robert Whitman
M/M (Paris)Le Grand Livre
Fully conceived by M/M, this large-format limited edition contains an interview by Hans Ulrich Obrist, an introduction by Cristina Ricupero as well as illustrations from the designers’ recent projects.
This book constitutes the first monograph on New York-based artist Josephine Meckseper, with essays by writer/filmmaker John Kelsey and Andrew Ross, Professor in the American Studies program at New York University.
Markus Heinzelmann, Nicolaus Schafhausen (Eds.)Markus Schinwald
The films, photos, installations, and graphic artworks of Austrian artist Markus Schinwald create a highly charged aesthetic collection of curios in which the human being stands in the focal point of observation.
Peter FriedlFour or Five Roses
In Four or Five Roses, some 45 narratives by children are presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.
John Kelsey, Aleksandra Mir (Eds.)Corporate Mentality
Calling for a reassessment of the function of art in late capitalist society, Corporate Mentality focuses on the complex and ambiguous ways artistic production inhabits corporate processes, abandoning the autonomy of the artwork in order to elaborate resistant approaches to a world increasingly determined by commercial strategies and market concerns.
Kai AlthoffGebärden und Ausdruck
Gebärden und Ausdruck (Gestures and Expression) is the first comprehensive publication on the work of German artist Kai Althoff.
Liam Gillickfive or six
five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989. The book includes some of the formal, social, and ideological concerns that have merged in Gillick’s “What if? Scenario.”
Eva Grubinger group.sex
The texts in group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.