The exhibition New Heimat documents how the phenomenon of globalization does not necessarily lead to the disappearance of local cultures, but can instead give birth to new, hybrid cultures, in which Western influences experience transformation and traditional cultures are assimilated.

Neue Kunstkritik (New Art Criticism) documents a symposium held at the Frankfurter Kunstverein in September 1999.

Non-Places questions the redefined relationship between public and private space as well as the phenomenon of modern “nonplaces,” which appear to be everywhere and nowhere at the same time: airports, shopping malls, anonymous new suburbs, or international franchise companies.

The exhibition deutschemalereizweitausenddrei (german painting two thousand and three) is a response to the needs and social circumstances that have given rise to painting’s present (return to) popularity, and to the strategies young artists are developing to meet this.