This publication comprises two volumes: a booklet accompanying Pierre Bismuth’s 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades, from five-minute paintings of recipe cards from women’s magazines (1986–87) to fried-chicken-flavored polyethylene sculptures (2015).

This collection of unpublished or rare texts by Frederick Kiesler written between 1927 and 1957 focuses on Kiesler’s ideas on display, and juxtaposes works of contemporary artists with a number of original drawings by Kiesler.

Charlemagne Palestine works from a highly personal universe of ritual, intoxication, and shamanism. Over the last four decades the artist has created an extensive body of experimental musical compositions, bodily performances, and, in later years, visual artworks inhabited by stuffed animals. To Palestine, teddy bears figure as powerful shamanic totems, which he fondly calls “divinities.”

The catalogue please listen hurry others speak better accompanies solo exhibitions by Amalia Pica at three venues: “ears to speak” and “please open hurry.” Two threads in Pica’s practice are brought together: communication between humans and exchange between species. The artist raises questions of mutual understanding through constructing forums that address shared experience.