New Good Luck presents a new series of photographic works by Shirana Shahbazi. Taken during the artist’s three-month stay in India, the photos, often of solitary people in architectonic space or a landscape, have been taken apart and reshaped through a digital collage technique, their color removed or reconfigured.

This publication accompanies the first comprehensive presentation of Asta Gröting’s project BERLIN FASSADEN. For her exhibition at KINDL – Centre for Contemporary Art, Gröting covered the walls and floors with sculptural silicone impressions of Berlin facades containing traces of bullet holes from the Second World War.

Inhalt concentrates on Eberhard Havekost’s painting from the past ten years, focusing on work first exhibited at KINDL, Berlin, in 2016/17. The work’s heterogeneity is evident in the selection of subjects, as well as the styles employed. This extreme range characterizes Havekost’s artistic work as a whole. The artist situates his paintings in complex interrelationships, where connections and relevancies are constantly reconfigured.

This publication documents the first iteration of Belgian artist David Claerbout’s project Olympia, a digital simulation of the Olympic Stadium in Berlin. Conceived to last one thousand years, Claerbout’s simulation uses real-time weather data to present the slow decay of the stadium over the coming millennium. Olympia aims to exceed the human ability to imagine time, thus radically surpassing our own experience of the world.

Finally Without End features Ilit Azoulay’s meticulously composed photographs, and includes work from the series “Implicit Manifestations,” created during a six-month residency at the KW Institute for Contemporary Art in Berlin. Concerned with the unacknowledged scraps and remains of the everyday—from architectural debris to spools of thread—her photographs capture the ambiguity of objects detached from their original purpose.