CityCat Project is the record of an extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. The collaboration is structured around Maiwar Performance, in which the CityCat ferries that ply the Brisbane River execute unannounced maneuvers near a site of significance to the Aboriginal people who lived on the lands around Brisbane before British colonization.

The catalogue please listen hurry others speak better accompanies solo exhibitions by Amalia Pica at three venues: “ears to speak” and “please open hurry.” Two threads in Pica’s practice are brought together: communication between humans and exchange between species. The artist raises questions of mutual understanding through constructing forums that address shared experience.

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition “Limits to Growth.” The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun.

Gordon Bennett: Be Polite follows the exhibition of largely unseen works on paper by one of Australia’s most visionary and critical artists, Gordon Bennett (1955–2014). The exhibition and publication are the first to present the work of Bennett since his death. Though rarely seen in exhibition contexts, Bennett’s drawing and writing formed the foundation of his practice.

Too Much World gathers a series of essays and close readings of Steyerl’s films from the past ten years. Newly commissioned texts by Sven Lütticken, Karen Archey, Ana Teixeira Pinto, and Nick Aikens, alongside writings by Thomas Elsaesser, Pablo Lafuente, David Riff, and Steyerl, are spliced with over one hundred pages of color stills.