A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus.

The first book-length inquiry into the subject of the twisted romantic ballad, giving a sense of both its history and contemporary currency.

A collection of Dan Graham’s interviews and conversations with a wide array of individuals from various backgrounds and disciplines. Includes “The Museum in Evolution,” an essay he finished just before his death.

A lifelong relation to sound and music underlies Latifa Echakhch’s work. On the occasion of her representation of the Swiss Pavilion for the 59th Venice Biennale, she has edited a volume on sound, memory, and perception. In the book, images of her installation in the Swiss Pavilion, The Concert, accompany writings by the artist and by Alexandre Babel and Francesco Stocchi, the co-curators of the pavilion.

In Double Lives in Art and Pop Music, writer and musician Jörg Heiser argues that context switching between art and pop music is an attempt to solve the contradictions faced in one field of cultural production by moving to another. Exploring the intertwined histories of pop music and art from the early 1960s on, Heiser shows that those leading double lives are often best equipped to detect such contradictions while pointing toward radical alternatives.