From 2008 to 2014 Sabine Folie was the director of the Generali Foundation—more than twenty-years after (plus que 20 ans après) the collection and exhibition venue formed in 1988. This survey publication, richly illustrated with photographs and source materials, indexes and contextualizes the works acquired for this definitive collection during Folie’s tenure, along with giving insight into how the corresponding exhibitions were curated.

Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.

The publication Animism (Volume I) brings together theoretical and artistic reflections on the history and contemporary relevance of animism.

In Hystericizing Germany, Manfred Hermes provides an excursive analysis of the potential of narration within the paradoxes of cinematic representation, with Fassbinder’s miniseries forming both beginning and end point.

This book provides a theoretical and critical framework for examining how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

Masters of Reality brings together the first collection of texts by Steve Rushton exploring the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy. Central to Rushton’s research is an investigation into the conception of feedback, social control, and the culture of “self-performance.”

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book—by extension commenting on media’s continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul’s ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience.