Eine Pinot Grigio, Bitte is a screenplay that cannot be a film; it is a film that can only be on paper. If the property of a film producer, Bernadette Corporation claims Eine Pinot Grigio, Bitte would be left derelict, abandoned to vagabonds and squatters. It is intended as a narrative of messy revenge, ruined by the screenplay form.

Otra de vaqueros documents the eponymous residency and exhibition project that took place in Mexico City in 2007.

1,2,3… Avant-Gardes is dedicated to the ongoing history of the experiment in film and art. This book describes and analyses the works of filmmakers and artists, defining two decades of experiments in Polish avant-garde film, and juxtaposes their work with contributions by international artists, who started to work during the last fifteen years.

The Uncertain States of America Reader constitutes a unique compilation of writing around art and cultural politics in America since 2000.

The Populism Reader accompanies Populism, an exhibition project in four European cities (Vilnius, Oslo, Amsterdam, Frankfurt am Main) exploring the relationships between contemporary art and current populist cultural and political trends.

The Populism Catalogue documents four exhibitions at Contemporary Art Centre, Vilnius; National Museum of Art, Architecture and Design, Oslo; Stedelijk Museum, Amsterdam and Frankfurter Kunstverein, Frankfurt/M. It features works of fiction as a literary approach to the theme of populism.

Calling for a reassessment of the function of art in late capitalist society, Corporate Mentality focuses on the complex and ambiguous ways artistic production inhabits corporate processes, abandoning the autonomy of the artwork in order to elaborate resistant approaches to a world increasingly determined by commercial strategies and market concerns.