The alienation between modern high culture and its public is a fundamental conflict of art. This book develops a theory of contemporary art in response to our moment, when artists and critics must respond to art’s unprecedented popularity.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. It collects both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.