10 minutes after features installation views from Josephine Meckseper’s recent exhibition at Timothy Taylor, a gallery of “psychoimages.” Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations.

This fully illustrated, artist-designed catalogue features the most recent work of New York-based artist Josephine Meckseper.

This book constitutes the first monograph on New York-based artist Josephine Meckseper, with essays by writer/filmmaker John Kelsey and Andrew Ross, Professor in the American Studies program at New York University.

For the last two decades, Josephine Meckseper has created large-scale installations, sculptures, paintings, and films that simultaneously expose and encase signifiers such as advertisements, political imagery, and everyday objects to form an exploration into the collective unconscious of our time. The artist’s exhibition at the Frac des Pays de la Loire is her first major institutional survey show in France.