This is a subjective chronicle of contemporary art from 2011 to 2017. During this period, the curator, writer, and educator Maria Lind regularly wrote a column for the print edition of ArtReview. The writings focused on individual art works and exhibitions, extending to conversations and debates that were developing in the art world and beyond during these seven years.

An extension of the collaboration between artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi. Including interviews, texts, images, and poems that illuminate the installation’s properties of self-sufficiency and as a new component of Tiravanija and Kamin Lertchaiprasert’s ongoing project “the land,” a self-sustaining artistic community near Chiang Mai, Thailand.

Focusing on time instead of the typically predominant category of space, this publication—the second volume in the Cultures of the Curatorial series—takes up the key aesthetic, social, political, and economic issues of the early twenty-first century running through the field and framed by the axes of exhibiting and the temporal.

Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book.

This publication focuses on “Philippe Parreno,” an exhibition at the Center for Curatorial Studies at Bard College which consists of a selection of Parreno’s films and collaborative projects.

The book Live Recorded Delay constitutes the only documentation of the legendary project “Il Tempo del Postino.” Conceived by the graphic design team M/M (Paris), it is both a personal archive and an open-ended score for future restagings of the event.