This publication collects writings on the art scene of Kosovo over the past twenty years. In the 1990s Kosovars felt the urgency to shape their own scene: in a search for identity, for nation building, in continuing or ending political conflicts, by trying to find a language to grasp recent social and political developments, or simply by continuing their practice in new, unstable times.

Departing from Marcel Odenbach’s eponymous exhibition at Kunsthalle Wien, Beweis zu nichts / Proof of Nothing examines new works by Odenbach and contextualizes them within a broader context.

Hubs and Fictions, originally a touring forum, invited international curators, writers, and producers to probe how fiction plays out in a globally distributed art-world ecology, and how infrastructures are invented against its background. The book functions as a deliberately discontinuous reader; it juxtaposes documents, negotiations, and reflections from and on these conversations.

The book is comprised of texts on Susanne Kriemann’s practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.

For the last decade, Markus Weisbeck has been redefining the prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today. This pocket book presents a selection of seminal graphic design projects developed by Weisbeck and his firm, Surface, over the last ten years.

This is the first extensive survey catalogue of the work of Vancouver-based artist Ian Wallace—a key figure of the extraordinary artistic ferment in the Canadian city of Vancouver and a pioneer and theorist of its internationally regarded tradition of photo-conceptualism.

Adorno: The Possibility of the Impossible (Vol. I) comprises theoretical essays which investigate the relevance of Adorno’s critical theory for the present.