Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book.

“If art takes place in a contemporary art museum (where we expect it), what does it mean? Art should not be about filling spaces, but about necessities and urgencies.” Such are the principles conveyed by the visionary Hans Ulrich Obrist, seeking out ways to reinvent and invent museums of the 21st century.

Fully conceived by M/M, this large-format limited edition contains an interview by Hans Ulrich Obrist, an introduction by Cristina Ricupero as well as illustrations from the designers’ recent projects.

This publication focuses on “Philippe Parreno,” an exhibition at the Center for Curatorial Studies at Bard College which consists of a selection of Parreno’s films and collaborative projects.

This publication constitutes the first comprehensive documentation of the work of British artist Liam Gillick. With numerous illustrations and a seminal essay by Michael Archer, the book traces Gillick’s works from the beginning in the late 1980s up to the present.

five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989. The book includes some of the formal, social, and ideological concerns that have merged in Gillick’s “What if? Scenario.”

The exhibition deutschemalereizweitausenddrei (german painting two thousand and three) is a response to the needs and social circumstances that have given rise to painting’s present (return to) popularity, and to the strategies young artists are developing to meet this.

A catalogue as puzzling and conceptually elaborate as the exhibition it accompanies. This fully circular publication has no beginning or end, allowing for multiple points of entry and unconventional ways of reading—both from left to right and vice versa, as well as upside down and right-side up—seeking to interrupt learned behaviors and soliciting the reader’s active engagement.

The record Large Dark Wind Chime (Tritone Westy) contains the sound of a wind chime that was recorded in the dome of Secession in Vienna on September 17, 2008 at 2.30 pm. The specifically developed wind chime was installed on the top of the building to send out “bad vibes” over Vienna during the course of Klaus Webers’ solo exhibition.