The exhibition deutschemalereizweitausenddrei (german painting two thousand and three) is a response to the needs and social circumstances that have given rise to painting’s present (return to) popularity, and to the strategies young artists are developing to meet this.

The exhibition New Heimat documents how the phenomenon of globalization does not necessarily lead to the disappearance of local cultures, but can instead give birth to new, hybrid cultures, in which Western influences experience transformation and traditional cultures are assimilated.

Neue Kunstkritik (New Art Criticism) documents a symposium held at the Frankfurter Kunstverein in September 1999.

Neue Welt (New World) documents a group show which investigates the political and social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space and the effects of a globalized economy.

Terminal 5 was a group show curated by Rachel K. Ward at Eero Saarinen’s landmark 1962 TWA Terminal at JFK Airport. Originally scheduled to open September 2004, the Port Authority closed the exhibition after the “controversial” opening night party. Initiated as a form of “dedication to the building” the exhibition explored themes drawn from the history and nature of travel, and responded to the significance of the architecture itself.