With (1770–25k) Cécile B. Evans presents materials from three recent video works included in her 2016 solo exhibition “Timeline for a Copy without Origins” at the Bielefelder Kunstverein. The amalgamations of text and image appear in the form of audiovisual transcripts, much of the material scavenged verbatim from popular culture and the user-generated web content of platforms like YouTube, Craigslist, and Reddit.

This publication documents the major film installation I Want (2015) by collaborative artists Pauline Boudry and Renate Lorenz. Through poetic gestures of appropriation and recombination, Boudry and Lorenz examine issues around gender, sexuality, the performance of identity, and the nature of collaboration.

10 minutes after features installation views from Josephine Meckseper’s recent exhibition at Timothy Taylor, a gallery of “psychoimages.” Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations.

Ken Okiishi’s artwork has explored the subject in between digital and continuous space, the changing nature of authorship, memory, and perception, and the indeterminacy of consciousness as it clashes with the strictures of technology. This book is the first instance of considering Okiishi’s work from the last fifteen years as a heterogeneous whole.

Writer, DJ, and sound artist Jean-Yves Leloup has followed the evolution of electronic music from its first appearance in Europe at the end of the eighties. A fortunate witness to the electronic scene, he is also interested in all questions relative to contemporary art and digital technologies.