This notebook from the Academy of Fine Arts, Vienna contains 192 blank pages for making your own notes.

In today’s increasingly digitalized and neoliberal societies, debates on universals and specifics have gained new momentum. This volume situates the contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism, and highlights the interrelation of the specific and the universal in diverse historical situations from the nineteenth century to the present.

Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth.

The artist book by Sabine Bitter and Helmut Weber is based on an unpublished text by French philosopher and urbanist Henri Lefebvre which is printed as a facsimile and accompanied by essays from Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith.

In several theoretical essays, dialogues on collaborative projects and reflections on his own work, the architect Nikolaus Hirsch explores the critical transformations of contemporary space and its effects on spatial practice.