First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring themes of technological immortality and resurrection informed by Cosmist philosophy.

What gets counted within the category of heritage, and who gets to do the counting?

Exhibition catalogue of Pedro Neves Marques‘s solo project ‘Vampires in Space’ at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

Anton Vidokle is an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other projects. The essays and interview in this book highlight how two threads in Vidokle’s practice—unobtrusiveness and the freedom of self-sufficiency—are often interwoven, and are at the center of an intellectual proposal that undermines common assumptions about making art.