As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. It collects both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.

Downscaled and Overthrown is the first monograph on the work of the Swiss artist Shahryar Nashat.

Yorgos Sapountzis’s work appropriates public space and the statues, monuments, and memorials that inhabit it. The Athens-born artist concentrates less on their historical-political meanings and much more on their function as a medium of recollection. Sapountzis consciously tries to ignore historical information about the sculptures and instead allows them to “speak” through their gestures, poses, and ornaments.

“The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work.

This publication consists of two essays by Sven Beckstette and Gabriele Knapstein as well as Andrea Pichl’s photographs, sculptures, and drawings to date.