“The present is marked by a contradictory experience of time, torn between the tendencies toward its synchronization and standardization in the networks of global capitalism on the one hand and a heightened awareness of the co-presence of multiple lived temporalities on the other. Critical contemporary art that deserves the name, we can learn from Jacob Lund’s illuminating collection of essays, is invested in sharpening that contradiction into political opposition.”

“Jacob Lund was among the first to grasp that multifaceted, multitemporal contemporaneity is definitive of the current state of world being. The essays collected in this volume, written over the past decade, show him becoming one of its most original interpreters. He is especially insightful on the multiple mediums through which ‘the contemporary contemporary’ operates, and on the work of its most consequential artists, among them Jean-Luc Godard, Alfredo Jaar, Thomas Hirschhorn, Hito Steyerl, Kader Attia, Trevor Paglen, and Forensic Architecture.”

“Jacob Lund’s powerful analysis of the temporal complexity of our global present not only guides readers through digital and analog simultaneities and trauma-invigorated decolonial practices in art and society. It also declares the falsely proclaimed ‘end of (art) history’ as obsolete. Instead, it opens up a perspective on much needed futures in which struggles and narratives that have been interrupted in history are revived. An indispensable read on ‘contemporaneity.’”