Focusing on time instead of the typically predominant category of space, this publication—the second volume in the Cultures of the Curatorial series—takes up the key aesthetic, social, political, and economic issues of the early twenty-first century running through the field and framed by the axes of exhibiting and the temporal.

Two Days after Forever is not an exhibition catalogue, but rather an alternate temporal manifestation of the themes of the pavilion itself—in 2015, realized by artist Christodoulos Panayiotou and curated by Omar Kholeif. Adopting a variety of modes of address, this book acts as a kind of theater for considering the questions: How does one choreograph a history that is constantly being re-imagined? And, how do we speak of an anthropology of movement?

Intersubjectivity, a two-volume collection of essays, is concerned with a new account of our ideas of what subjects are, and what it means for them to meet. The project explores these concepts in the context of the interaction of non-sentient beings, attempting to move beyond anthropomorphic theories of objectivity and materiality, as well as subjects whose boundaries resist definition.

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations.

The essays in this collection were written in the first decade of the new millennium by the critic, editor, and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today’s world and their relation to the development of art practices.