Exhibition catalogue of Pedro Neves Marques‘s solo project ‘Vampires in Space’ at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

A comprehensive overview of artist Kathrin Böhm’s multifaceted, deeply collaborative, and durational practice and networks.

Newly commissioned texts frame extensive visual documentation of a series of exhibition episodes drawing on the legacy of the Eastern European neo-avantgarde and the work of artist Mladen Stilinović.

A lifelong relation to sound and music underlies Latifa Echakhch’s work. On the occasion of her representation of the Swiss Pavilion for the 59th Venice Biennale, she has edited a volume on sound, memory, and perception. In the book, images of her installation in the Swiss Pavilion, The Concert, accompany writings by the artist and by Alexandre Babel and Francesco Stocchi, the co-curators of the pavilion.

This collection of essays, conversations, and artworks explores how technology now mediates our encounters and, in doing so, forms alternate, networked subjectivities. It asks how intersubjective intimacy might be theorized epistemologically, aesthetically, philosophically, and politically, and considers how such relative intimacy might connect physical matter and cybernetic systems or forge new subjectivities.