Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice. Drawing from his formation in theater and his own curatorial work, Hoffmann reflects on the spaces of contemporary art and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time.

Working at Copan collects interviews with workers and employees at Edifício Copan, a landmark modernist architecture in the center of São Paulo. Designed by Oscar Niemeyer and completed in 1966, it became the largest residential building in Latin America. As a historical building and symbol of “vertical utopia,” it embodies an era of radical political and economic changes within Brazilian society.

Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts around the world. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s.

The Uncertain States of America Reader constitutes a unique compilation of writing around art and cultural politics in America since 2000.

Solution 168-185: America is the fourth book in the Solution Series. Opting for the United States of America—which the author says is “still the most proficiently colonial place” [he knows]—Tirdad Zolghadr provides a compilation of highly entertaining “solutions” for a nation suspicious of progressive politics yet rich in its history of harboring and cultivating the avant-garde.