Published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present.

This book provides a theoretical and critical framework for examining how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

In its ninth volume, the Solution series departs from its previous geopolitical focus on regions and countries. The issue becomes the infinite prospect of connection as well as transformation: this book explores the biopolitical and psychosexual topic of love.

Alexandra Kollontai was a writer, a revolutionary, and after the 1917 October revolution the people’s commissar of social welfare as well as one of the first female ambassadors in the world.  This reader, in which artists and thinkers revisit Kollontai’s legacy, asks: How to read Kollontai’s vision of love today and relate it to current feminist struggles?

Iman Mersal intricately weaves a new narrative of motherhood, moving between interior and exterior scapes, diaries, readings, and photographic representations of motherhood to question old and current representations of motherhood and the related space of unconditional love, guilt, personal goals, and traditional expectations. What is hidden in narratives of motherhood in fictional and nonfictional texts as well as in photographs?