Imagine art and contemporary as an organ. An organ that produces an experience of inexpressible realities that are fundamental to understand life and its processes.

For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s “ruling class of images” call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?

Curating has evolved into much more than creating interesting exhibitions, promoting artists, and selling artwork. Art worlds have fused with business worlds and transformed capitalism from the inside out. To “curate capitalism” implies new ways of management that go far beyond the simple commercialization of art and artist.

On the aesthetic and intellectual affinities between recent art and conspiracy.

A techno-fiction novel on the uneasy desire for anti-rationalist ideas on the internet, and their intersections with Asian futurisms and reactionary mythologies, conceived in parallel with the video project GROTESKKBASILISKK! MINERAL MIXTAPE by Mochu, as part of his solo exhibition at the Edith-Russ-Haus for Media Art