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Research/Practice
Edited by Anthony Downey, Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. Each volume endeavors to ask: In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce?
Trevor Paglen
Adversarially Evolved Hallucinations

How machine learning and computer vision generate images.

€15.00
Heba Y. Amin
The General’s Stork

In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance—against the backdrop of biblical prophecies, drone warfare, and colonial narratives—from a bird’s-eye view.

€15.00
Michael Rakowitz
I’m good at love, I’m good at hate, it’s in between I freeze

In 2009, Leonard Cohen was scheduled to perform at the Ramallah Cultural Palace in Palestine. As a result of the cultural boycott of Israel, the concert was canceled but the story, as Rakowitz’s eponymous work amply demonstrates, did not end there.

€15.00
Larissa Sansour
Heirloom

Heirloom documents the development of the artistic research for Palestinian artist Larissa Sansour’s project for the Danish Pavilion at the 58th Venice Biennale. It explores how recurrent notions in Sansour’s oeuvre, such as memory, trauma, identity, and belonging, intertwine with the discourses of science fiction and environmental disaster narratives.

€15.00
€12.50